Not-Yets
12 June – 1 August, 2026
Zürich
Hana Miletić explores the politics of care and repair. In her work she engages with the residues of political and economic transitions. She uses photography and weaving together, creating handwoven textiles based on her photographs of everyday repairs and transformations in public space. Miletić understands weaving as a slow, manual process that resists the fast pace and standardization of production in contemporary life. Influenced by the tradition of handwork in her family, she also explores broader histories of textile production, including the roles of animals, machines, and recycled materials. Her work engages with questions about how knowledge, skills, and gestures of maintenance are transferred across generations, species, and systems. By foregrounding acts of mending and material translation, Miletić proposes an attentive political engagement rooted in these transfers.
Hana Miletić was born in Zagreb in 1982, today she lives and works in Brussels. She studied photography, art history and gender studies in Belgium and The Netherlands. Her most recent solo exhibitions were held at MIT List Visual Arts Center, Cambridge; Kunsthalle Mainz; Museum of Modern and Contemporary Art (MMSU), Rijeka; MUDAM, Luxembourg; Bergen Kunsthall; and WIELS, Brussels. She has participated i.a. in the Dhaka Art Summit 2023, Manifesta 14 Prishtina, and Sharjah Biennial 13. She was a resident at Jan van Eyck Academy, Maastricht, and at the Albers Foundation’s cultural centre Thread in Sinthian. In 2021, she was awarded the Bâloise Art Prize.
1/18
Jacquard-woven, semi-bound textile (organic cotton, and silver grey mercerised cotton)
dimensions variable
HM/S 1
2/18
Jacquard-woven, semi-bound textile (organic cotton, and silver grey mercerised cotton)
dimensions variable
HM/S 1
3/18
Hand-woven textile (ash gray organic cotton, grey paper yarn, silver metal yarn, and silver peace silk)
102 × 140 × 1 cm
HM/P 4
4/18
hand-woven textile (pale grey paper yarn, and silver metal yarn)
47 × 57 × 0.5 cm
HM/P 8
5/18
felted, hand-woven and Jacquard woven textile (azure blue organic cotton, blue peace silk, cobalt blue repurposed mercerised cotton, magenta mercerised cotton, pale pink raw wool, pink mercerised cotton, and white organic cotton)
45 × 21.5 × 3 cm
HM/P 12
6/18
hand-woven and UV-printed textile (ash grey faux leather yarn, black repurposed polyester, black rubber yarn, black stretch cotton, corn yellow raphia, dark yellow repurposed polyester, organic cotton, yellow organic cotton, yellow organic silk, and white peace silk)
110 × 56 × 5 cm
HM/P 6
7/18
hand-woven textile (black rubber yarn, organic orange linen, and red cotton)
47 × 31 × 2 cm
HM/P 7
8/18
hand-woven and crocheted textile (blush red repurposed mercerised cotton, bright red peace silk, crimson red organic cotton, and variegated scarlet red recycled wool)
installed: 74 × 72 cm
1st element: 5 × 14 × 0.5 cm
2nd element: 5 × 14 × 0.5 cm
3rd element: 5 × 11 × 0.5 cm
4th element: 5 × 11 × 0.5 cm
5th element: 16 × 5 × 0.5 cm
HM/P 14
9/18
hand-embroidered textile (gold leaf thread on canvas)
77.5 × 98 cm
HM/P 15
10/18
hand-embroidered textile (gold leaf thread on canvas)
227.5 × 91 cm
HM/P 16
11/18
hand-embroidered textile (gold leaf thread on canvas)
189 × 18 cm
HM/P 17
12/18
hand-embroidered textile (gold leaf thread on canvas)
188.5 × 20 cm
HM/P 18
13/18
hand-embroidered textile (gold leaf thread on canvas)
19 × 17 cm / 68 × 35.5 cm
31 × 30.5 cm / 57 × 33 cm
HM/P 19
14/18
hand-embroidered textile (gold leaf thread on canvas)
220 × 116 cm
HM/P 20
15/18
hand-embroidered textile (gold leaf thread on canvas)
229 × 61 cm
HM/P 21
16/18
hand-embroidered textile (gold leaf thread on canvas)
137 × 155 cm
HM/P 22
17/18
hand-embroidered textile (gold leaf thread on canvas)
240 × 18 cm
HM/P 23
18/18
hand-embroidered textile (gold leaf thread on canvas)
156 × 25 cm / 102 × 20 cm
HM/P 5
Group show
18e Biennale de Lyon Art contemporain
Passer d'un rêve à l'autre
To pass from one dream to another
19 September – 13 December 2026
La Biennale de LyonGroup show
le musée Dhont-Dhaenens, le musée Roger Raveel et le mudel célèbrent un événement marquant : la dixième édition de la Biennale de la peinture
28 June – 18 October 2026
10e Biennale de la PeintureGroup show
MS 2
Muzeum Sztuki in Łódź
17 October 2025 – 31 December 2026
Ways of Seeing10 August 2026
Can an abstract form depict social reality? What is the relationship between abstraction and life? Abstraction is often associated with autonomy, e.g., with an idea of self-referentiality and distancing from reality, whereas the clearly recognizable and figurative is considered better suited to picturing the real. Hana Miletić’s practice, which has grappled with questions regarding the nature and possibility of representation for more than a decade, deliberately works with abstract forms in making social reality tangible. Interestingly, her work stems from documentary photography–a medium dedicated to the politics of visibility–which she consciously left behind in order to find a less directive and exploitative form of representation in weaving.
Vivienne Chow
29 September 2025
The art world is crowded, but some voices rise above. In this series, we spotlight 25 emerging artists who have been defining 2025: painters pushing the canvas forward, sculptors reinventing form, fiber artists redefining tradition, performance artists transforming presence, and time-based visionaries bending film, sound, and technology.
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